. . . I just wanted to remind you I want to hang onto that stillness/movement contrast(Marienbad). I am particularly struck by the sense that each character is very isolated much of the time in the first act. But then even in the big scenes, there is is this splendid isolation. For example, in the endless frenzy of Weekend in the Country, Henrik has this wonderful solo moment. Anyway, I do want to retain the ability to isolate people abruptly - or to take the audience attention to a non-central moment. I suspect I am talking spotlight... But also a bigger design/action idea.
Am also pursuing the endless coupling and decoupling and recoupling AND the intriguing 3-somes (see No. 8b: Mrs. S, Mr. E & Mrs. A). Those 2's and 3's recur.
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